Showing posts with label Ego Shot Recordings. Show all posts
Showing posts with label Ego Shot Recordings. Show all posts

Sunday, July 3, 2011

Releases (Week 26): 27th June to 3rd July 2011

Mynxx - Viva City
(Remixes by Ways & Means, Refracture)

Release Date: 2011-07-01
Label: Audio23
Catalog: Audio2303

Buy now!

Digibox - Doubplate EP

Release Date: 2011-07-01
Label: KindCrime
Catalog: KDC024

Buy now!

Digital Breaks Foundation & Retroid - No Remorse (Remixes Big Mistake & MDK)

Release Date: 2011-06-27
Label: Ego Shot Recordings
Catalog: ESHOT017

Buy now!


Roboteknic - Psyberteknic EP (Our World & Contented Mind)

Release Date: 2011-07-01
Label: Divergence
Catalog: DCG016

Buy now!


Geon - Everything (Remixes Youthful Implants, Felix Stone & Gary Saville)

Release Date: 2011-06-27
Label: Flextone Recordings
Catalog: FR0055

Buy now!


Funk Lab - Missing Pieces (Re-Arranged Mix)

Release Date: 2011-06-27
Label: Funk Lab Records
Catalog: FLR036

Buy now!


Bo Scott - Bo Knows Disco (Remixes by Monk3ylogic & Direct Input)

Release Date: 2011-06-28
Label: Kick Its Recordings
Catalog: KIR254

Buy now!


B-Phreaks - Body Check
(Dom ALmond Remix)

Release Date: 2011-06-27
Label: Dusted Breaks
Catalog: DBR040

Buy now!


Miles Dyson - Whaaaat a Breakfest Vol 2K11 (I-Tune & Lick the Rainbow)

Release Date: 2011-06-29
Label: Noize
Catalog: Noize062

Buy now!


Mory Yacel - Rain Of Love

Release Date: 2011-06-28
Label: Deeplife Records
Catalog: NFB071

Buy now!

Sergey Iiayskin - Sonority (Remix Kazancev)

Release Date: 2011-06-30
Label: Green Snake Records
Catalog: GSREC043

Buy now!

Monday, June 27, 2011

Music Review: Digital Breaks Foundation & Retroid - No Remorse

Release date: June 27, 2011

Digital Breaks Foundation & Retroid - No Remorse by Ego Shot Recordings

ORIGINAL MIX

After the success of their first collaboration "Nightfall", DBF and Retroid return with a storming psy-soaked breaks track. The track begins with a thumping beat over the top of a constantly growing bass that evolves and mutates towards a techy and mechanical breakdown. The ghosts of the machine come out to haunt us with striking synths flitting in and out before unleashing in full force with the pumping beats and bass pushing the track to it's very limit. Drop this in the middle of your breaks sets to lure even the most hardcore breakers into a false sense of security!

BIG MISTAKE REMIX

Big Mistake takes the techy elements of the original and gives them a reboot that begins with the signature psybreaks sound - we've got bleeps and blips, mechanical vox and synth stabs being pushed along with a fantastic raspy, dirty bassline. The break features pumping half-stepped beats, gorgeous arpeggios and an anthemic lead which, when coupled with the variation of the bass from the beginning,  propel the track into hands-in-the-air dancefloor territory. Clocking in at over 10 mins and always keeping your interest, you'll be hard pushed to find a better bargain!

MDK REMIX

Hungarian producer MDK is becoming well-known for his uplifting interpretations of breaks tracks and this is a perfect example of his work. Scattered blips and peak time synth work start us off before continuing over the top of a deep, full bass groove that will have your bones shaking and smiling throughout your body. As the groove continues, tech fx and soundscapes are introduced, faded out and evolved into lead counter-melodies. A great track to drop when your set needs a bit of a breather without losing any of the energy!

Tuesday, June 21, 2011

Interview: The mercurial sounds of Fisso & Spark

Curl & Dean's Boba continues his journey into the progressive and melodic depths of worldwide breakbeat

This week we take a look inside the Italian and Austrian duo Fisso & Spark. Signed to Dead Famous back in 2009, this duo have been combining breaks with house and techno. The mercurial sound ranges from deep twisted tech breaks to some lush uplifting melodic vibrant breakbeat.

I first got to hear them on some early Dead Famous releases in 2009, with their deep flowing tech house sound, but since then they have been crafting some breakbeat gems.

Below you can check some forthcoming releases and the guys were kind enough to take some time out and have a chat about their musical lives.
We check out two releases due in 2011 which showcase the diversity of the duo. First up is Never Try Never Know, a track that got me pretty excited when it first flowed into my ears, and which will be released on Dead Famous. It's an incredible piece of epic music: full of groove, energy and emotion that will lift you up into the ether. We also check out a remix they have done for Home Alone of his tune The Sound, forthcoming on V.I.M Breaks. This is a full-on assault of psy-tech twisted breakbeat, an absolute banger.


For the people who don’t know who you are, who, where & what is Fisso & Spark?

Fisso & Spark is the story of a friendship, an unconditional love for music and a common dream.

Tell us a bit about your background before you were making breakbeat?

We were born and grew up in different cities and different realities. I lived in Italy and Spark here in Vienna.
Still we had some things in common - we both were in love with the hip hop culture and the first waves of electronic music in our early years. But the thing that connects us most is that we both took an actively part in the free party movement that was storming Europe in the middle of the 90s.
These parties were the expression of freedom and of a new culture, the one of travellers and tribes who were living in trucks and travelling across Europe from town to town occupying factories with music and lights, creating a magic atmosphere and vibe without limits and rules.
So, myself with Crop Circle Unit and Spark with Lego Sound System had great experiences in this scene which are still a big inspiration to us.
We met for the first time in Vienna where I moved because of my girlfriend. At the beginning we just span some vinyls together ... few months after we sat down together in studio and started our music production. First we produced drum and bass and then we switched over to breaks. One of our first breaks track was noticed by Dead Famous and so we had our first release and our first step into the breaks world. So that´s where Fisso & Spark come from.

I am so looking forward to the release of Never Try Never Know on Dead Famous. This is a wicked tune - what else is in store for the future?

Our future projects is a remix of Rock the Mic from Break the Bx for the new LP from Dead Famous. Few remixes coming out with V.I.M. Breaks, Scarcity and Distortion. Our new single Blow your mind with remixes from Luqas and Ek will be out next month on DF. We are always looking forward for new projects and new remixes.

What is your production set up? Which piece of equipment could you not live without?

We work on iMac with Ableton Live and loads of Vsts and our analog weapons are a Virus T2 with keys and an old school Blofeld Synth.

As a duo, what is your production process? Do you work together in the studio or apart?

We are working on every single project together. We never work alone for an F and S Tune, it never really happened.
We both have a single project, me as Andrea Fissore and Spark as 21 Hour, but we really enjoy to work together because we have different taste and different inspirations. I am more on the deep tech house side and Andy is more on the progressive front. This makes things always funny and fresh in the studio because every time we start a track it is like a new adventure and we never know how the story ends … but that’s what we love: never try never know!

What's a typical weekend in the life of Fisso & Spark?

Every weekend is different here in Vienna. There are lots of nice different places where we have played over the years. We have a residency in a club called Donau. We enjoy playing there, because it´s a very special place with great atmosphere and cool vibes. We do our own radio show once a month on Stero Sl Radio Orange too. There we often invite and interview other DJs from Vienna.

Three big tunes that are blowing you away at the moment?

Breaks related, our picks would be the latest productions from Dirty Loud, Ctrl Z and BSD.

And some final words from your good selves:

So, first we would really like to say big thanks for the support we constantly receive from our label Dead Famous, Ian is an awesome manager and it’s a big honour for us to produce beside our label mates Jamie, Luqas and Home Alone, we have big respect for them.

We would like to mention Grigoris, label manager from V.I.M. Records too, he is a great person that believes in good music without boundaries, we love his way and his label. Also a Big up to Deenk and the Distortion Crew, Mesmer that introduced us to Scarcity and Rob Analyze, and of course to you guys for giving us this opportunity. YO!

To hear more sounds from Fisso & Spark check out their MySpace page.

Interview: MDK is fresh, young and (from) Hungary

Boba continues his journey into the progressive and melodic depths of worldwide breakbeat

This week we have a chat and take a look at the rhythmical sounds of MDK. The fresh young talent coming out of Budapest has only had one release and one remix under his belt but is one to watch in the future.

Check out a future teaser production from MDK coming soon on Ridiculoud and a free cheeky download mash up of his awesome original release Our Plan on Digital Sensation UK with New Order's Jetstream.

  Interstellar Mission feat. Siegfried (clip) [RIDICULOUD] by M D K
  MDK vs. New Order - Our Jetstream Plan by c-Row

For the people who dont know you, who, were and what is MDK?
Hi everyone. I am a music producer from Hungary, Budapest. I am 25 years old, and I started making music in 2005.

What does MDK stand for?

The MDK name comes from my old favourite game.

Tell us a bit about your background outside of music?

I am looking for work currently and continue with my university studies in September. I like playing football and I am very interested in space research.

How long have you been making music and what made you start producing breakbeat?

I have been making music since 2005, and finished my first breakbeat track in 2010. This was a remix of Luqas - Replicant on Dead Famous.

You have a release on DSUK and a remix on Dead Famous. What else can we look forward to in the future from MDK?

In the future expect some more original and remixes. At the moment I am working on a Home Alone remix and an original track for Ridiculoud Records. I also have some stuff coming out on Scarcity and Distorsion Records.

There is some real special sounding music coming out of Hungary, Retroid, 9BO, Beatman and Ludmilla. Is the breakbeat sound reaching a lot of people in Hungary and what other producers should we be keeping an ear on?

The truth is they are the best Hungarian producers. But I would also include Aeron Aether and Krum. These guys are making awesome music!

What is your music studio set up?

I have two PCs, MNC speakers, a Behringer mixer, two Omnitronic 4250 turntables, two Stage Line CD-30DJs, and a Reloop rmx 20 mixer.

Which producers are you feeling right now and which artists have inspired you in the past?

My favourite producers. Hmm, it's a good question. This would be Beatman & Ludmilla, Eshericks, Deenk, Aggresivnes, Factorfunk, Fisso & Spark, Imprintz and Kloé, Under This.

Three big breakbeat tunes you are feeling right now?

I have loved many many productions but my current top three is:

Refracture - Free Man (Eshericks remix)
Beatman & Ludmilla - In Breaks We Trust
Farace - Move on (Deenk remix)

Final words:
I am very grateful you gave a thought to me. I don't know what to say, but many thanks guys.

Interview: A Casa da solo with Home Alone (interview + free exclusive tune!)

Boba continues his journey into the progressive and melodic depths of worldwide breakbeat.
If you have not come across a Home Alone track yet, then it’s time to wipe the sleet from your eyes and take the pillow from your head. The gates were opened 11 months ago and since then a tidal barrage of original material and remixes have been let loose.
With original material on Dead Famous, Vim Breaks and Ego Shot, plus remixes on Dusted Breaks, Breaks.sk, Yellow Finger and Scarcity to name a few, you will get a massive variety of styles and sounds. To me the Home Alone sound has many elements from all breakbeat branches, and this is what makes every release and remix interesting. I know Home Alone is only just getting warmed up, so watch this space for an onslaught of future productions.
Below you can check out his latest remix of MDK's Our Plan on Digital Sensation UK and a couple of future tracks to be released on Big Square Records (6th December) and Ridiculoud Records (30th November).

DSUK017 - MDK - Our Plan (Home Alone Remix) by Digital Sensation UK

Home Alone / High Eight / 601 - The Chameleons preview by Big Square Records

HomeAlone - Awake [RIDIC011] by HomeAlone

For the people who don’t know you, who, where and what is Home Alone?

My name is Dino. I'm Italian, I'm based in London, I'm a graphic designer with a massive passion for music in general and for electronic productions when it comes to making my own stuff.

Tell us a bit about your background before you were making breakbeat?

Before breakbeat I used to be a bass player. My style of choice was mostly rock, heavy stuff but not only. In my records shelves there has always been a big variety of styles and genres. I love all kinds of music. I grew up listening to metal, grunge, new wave, indie rock and pop. Seventies hard rock is my real cup of tea (Black Sabbath and Led Zeppelin above all). That is what started awesomeness in music imo.

How long have you been making music, and what made you start producing breakbeat?


I started making music long time ago. I moved into electronic productions when I found myself without a band and without the time to put one together. So I bought myself a nice drum machine, a few synth sequencers and later I installed Ableton Live on my computer. I got hooked in the process. Producing breakbeat and techno came natural. Those acid sounds could only lead me to those styles which I've learned to love deeply.

You have had a massive assault of original and remix material come out over the last year. What’s in store for the future?

Trust me, it's not over yet! hahahah. In the immediate future I have countless releases piling up, both originals and remixes. I'm having them released on different labels simultaneously. I'm finding it hard to keep up, but I'm having an awesome time! I am also currently working on a collaboration with Robosapiens, and am about to start one with Llupa. Would love to finally go out and play some live sets.

You really do have your own Home Alone sound. What is your production set up? Which piece of equipment could you not live without and how does it work for you in the studio?

Thank you for your kind words. I must say that every piece of my production set up is something I can't do without at this point. I use a Jomox XBase09 (drum machine), a Future Retro Revolution (clone of the (in)famous 303) and a Roland MC202. My DAW of choice is Ableton Live with countless VSTs. Ableton live is controlled by an Akai APC40 and a Novation Remote SL.

The process of producing is always different, but if I had to summarise it I'd say I often start with a basic beat (which I later arrange and develop) and I spend most of the time looking for the right bassline and putting together an idea of structure for the track. Once these three things are there, the rest of the process is tweaking, adjusting, layering, arranging, adding leads, stabs, melodies, percussions, creating dynamics and trying to make the track sound at its best. Once I'm happy I spam all the labels looking for the one to release the track with heheh.

What's a typical day in the life of Home Alone?

I go to work every day from 9.30 to 6 and I'm lucky enough to love my job and the people I work with, so those are often some awesome hours. Then back home (alone for a couple of hours) to do some beats and keep up with all my social networks and stuff. On the weekends, sometimes I go out for a boogie sometimes I stay in, it depends on how lazy I feel.

Name three big tunes that are blowing you away at the moment?

Blackout by Yanix and Ghettface, love the beat! Hard Flaw revamp by Elite Force, love the acid! Neurodriver's Snake Charmer remix by Luqas, love the production skills.

And some final words from your good self?

Thanks very much for interviewing me, this past year in music has been a massive one for me and I'd love to thank everybody who believed in me giving me a chance to come out with my music starting with Ian (Daniella Downs) for finding me and loving my music so much to sign two original tracks of mine to Dead Famous when Home Alone was just the name of a shitty 80s movie. Grigoris at VIM Breaks for believing in me and constantly following me since the beginning. Then Mesmer (Scarcity), Ghettface (Ridiculoud), Duane Berry (DSUK), Adam Retroid (Ego Shot), Big Nick D (Big Square), Lee Martin (Dusted Breaks), Macho (Breaks SK), Rumbler (Yellow Finger), Jaime Orebeat (Distortion) etc for giving me a chance to be part of their music families. All the DJs that gave my music a spin and the radio shows who hosted my mixes and played my tracks in their sessions, and all the producers who remixed my stuff adding their awesomeness to it. I love cheese! Hahahahha

Interview: The mighty Morphosis of Retroid (free tunes inside!)

Curl & Dean's Boba returns to continue his journey into the progressive depths of breakbeat

This
week I'm checking out the heady sounds of Hungary's Retroid, aka Adam Huszar. Adam's output in music has been something else, with more than 20 artist releases and 50 remixes. He also runs labels Morphosis and Ego Shot, so I'm amazed and very grateful that he even found the time to answer these questions.

I first came across these timeless sounds back in March 2008 when hunting for some new, fresh progressive beats. I was looking for something with the energy and atmospheric vibes of Hybrid or Way out West, and came across Aeron Aether's Aeristhesia
(Retroid Remix). Since then I have been hooked on the mercurial and beguiling style of this eastern European gentleman. If you're into your progressive sounds then you already know who he is, but for those of you who have not had the honour, check out his Soundcloud or website.

Soon to be released (on the 23rd August) on Ego Shot Recordings is Parallax Breaks & M Spark's Sun.
This Retroid remix is a slice of pure, banging, metallic breakbeat that will make you grind down to your gums.



Parallax Breakz & M Spark - Sun (Retroid Remix) by Retroid

Here's a slice of some of Retroid's latest work, including his deep hypnotic remix of Chris Nemmo's - Nightshade (Digital Sensation UK) and a spine tingling remix of Evave - Uprising (Morphosis Records), as well as a whole bundle of other fresh tracks.

Tunes by Retroid


For the people who don't know you, who is Retroid and what is your sound?
I'm a producer from Hungary, but I have also been DJing for a couple of years. I have been producing music since 1998, so I have had enough time to test my skills almost in every music genre. I love atmospheric and dynamic music which has great energy and catchy melodies, so I always try to build my tracks around this criteria. I don't like to restrict my name to only one genre of music but my main style is breakbeat and most of my productions come from the sub genres of this, such as progressive, psy and nuskool breaks. However I have also made many progressive house tunes over the years. I prefer breakbeat when playing gigs and shows, but sometimes I like to play something a bit different like electronica or house.
You run two labels, Morphosis and Ego Shot. Now you have started the latter, will this be a strictly breakbeat label, and will you still be releasing breaks on the Morphosis label?
 
I launched Morphosis Records in 2007 with some very talented but at that time unknown artists (East Cafe, Mango, Embliss, Arthur Deep) in order to bring quality progressive electronic music closer to the people. The label attracted listeners' attention very quickly thanks to the great produ
ctions and from DJs and producers who support the releases. From the end of 2009 progressive house came to the fore with the label, so I decided to launch a sub label, Morphosis Limited which is devoted to melodic breaks 100%. In 2008 came the idea to start another label which is totally different from Morphosis, a pure "head shot" (the Ego Shot name come from this) for everyone who likes heavy breakbeat and electro music. You can expect more bad-ass records with dirty, raspy sounds in the future.

Ego Shot has started off with a bang, releasing some great breakbeat music. What future releases have you coming up, and what artists can we look forward to hearing from Ego Shot ?

 

I’m very picky in music, so I am working with a small roster at the label. There are a couple of releases scheduled for this year: originals will come from Parallax Breakz, Audiohazard, Home Alone and me.

You have over fifty remixes to your name, which is some production output. Will we be seeing more Retroid singles in the future?

Yes of course! I recently finished a remix for Hybrid and I have had a lot of remix requests, which is really gladdening, but I am trying to focus on the originals and collaboration tracks at the moment. I just finished a psy breaks type of tune with DBF and I am working on other projects with Mongewz and Krum. I also have many unfinished tunes so I am going to sort them out very soon.
In the music world which breakbeat producers are you feeling right now?

Karton sit at the top of my list right now - they can't do anything wrong. But I'm also feeling Mesmer, Mars, Eshericks, Beta, Line Of Sight, DaVip - the list goes on. Luckily more and more notable artists and labels are appearing in the breakbeat scene, so the situation is much better than it used to be.

What other music do your grab inspiration from?

I like to listen to many types of music, such as ambient, downtempo, electronica, sometimes drum and bass, mostly during travel. There are many
artists whose work is really inspiring to me, like Hybrid, Paul Oakenfold, BT, Apparat.
Obviously I don’t want you giving away all your tips in the studio, but what is your main piece of kit that you could not live without?
 

Many years ago I won my first studio gear, an Audiophile soundcard in a remix contest, and I think I couldn't live without it.

Final words from Retroid: I do mixes monthly and I have radio shows on various radio stations like Proton, Frisky and Pure FM. Feel free to check them out if you like to discover new music and keep supporting the talented artists to get more wicked tunes by them.

Final words from BoBa: A huge massive thanks to Adam for taking time out to answer a few questions. You can grab a gigantoid amount of free Retroid remixes right here:

Interview: Young, breakbeat and Serbian - we bring you Fletric

Curl & Dean's Boba returns to continue his journey into the progressive depths of breakbeat

This week we check two new remixes from rising Serbian producer Fletric. From the very start I have been following what this young talent has been putting out there, and have never been disappointed. I first heard about this artist back in May when he dropped his remix of Parallax Breakz's Hope on Morphosis. Since then he has had solo releases on Flextone and Digital Sensation UK.

Here are two of his latest remix masterpieces. First up - released today - is an epic reworking of Chris Nemmo's Nightshade on Digital Sensation UK, with loads of sweet tweaks and crafted edit skills, Fletric turns an already great tune into a flowing, pulsating banger.

Chris Nemmo - Nightshade (Fletric Remix) • Digital Sensation UK [12... by Fletric

Buy on Beatport

Next up, forthcoming on Flextone Recordings is this delightful rolling, tweaking builder. A take on Youthful Implants' Jah, this is some deep flowing rasta prog, and available in a couple of weeks' time.

Youthful Implants - Jah (Fletric Remix) • Flextone Recordings by Fletric

Fletric was kinda enough to answer a few questions about himself and what the future holds for this
amazing young talent.

Who is Fletric and what is your sound?

Well, I'm a young producer from Serbia that started back in 2001 playing mostly with drum 'n' bass sounds. After a couple of years I discovered breakbeat, and was immediately drawn to it. Today my sound has changed quite a bit, and it's kind of a mixture of many different breaks subgenres, I think. You could say it's electro-influenced progressive breaks or somethin'. But I can't tell for sure except that it's good energetic breaks with loads of fast changes and detailed edits.

I first got to hear your sound on the remix for Parallax Breakz's Hope. Since then you have had some quality tunes released on Digital Sensation UK and Flextone Recordings. What is the future for Fletric?

Yes, actually Hope Remix was my first release, and before that I had some originals already signed to Digital Sensation UK and Flextone, which were released soon after. What's the future for Fletric? I'm currently trying to balance in-between my daily job and music production and I think I'm pretty good at it. In near future you can expect quite a few remixes for various labels, then some EPs and eventually an album. And hopefully I will discover more quality labels to stick with, like Digital Sensation UK which is just a joy to work for.

In the world of breakbeat, which producers are you feeling right now?

Loads I guess, but if I had to select a few I would say Kultur & Colombo, Hedflux, Access Denied and BSD. I also like Quadrat Beat, Triple Agent, Baymont Bross, Dirty & Acid, Duane Barry, Kiwa, Line Of Sight, Factorfunk, Retroid, Mesmer and Parallax Breakz.

Is there a big breakbeat scene in Serbia?

Well there is a scene, but I wouldn't necessarily call it a big one. Serbia always has lots of quality DJs and producers, but not so many clubs to support all different music genres. So sometimes it gets quite difficult. The good thing is that there are quality breaks DJs from all Serbian towns supporting each other and organising events to help the growing breaks scene. I'm surrounded by the best crew of people to work with, and I can clearly see a strong future for Serbian breaks.

Final words from Fletric?

Many thanks for this interview and many thanks to everyone else who has supported me.

Final words from Boba :

A big thanks to Fletric for taking the time out to answer some questions and for making some quality interesting breakbeat.